Twenty Four Studies for Alto Recorder
Arranged by Hugh Orr
The studies in this collection adopt a cycle of the 24 major and minor keys, a format often used by their composers. These studies were originally composed for the transverse flute with the exception of those by Kopprasch, Weissenborn and Ferling, for horn, bassoon and oboe, respectively. The composers’ markings have been retained throughout.
The studies in this collection adopt a cycle of the 24 major and minor keys, a format often used by their composers. These studies were originally composed for the transverse flute with the exception of those by Kopprasch, Weissenborn and Ferling, for horn, bassoon and oboe, respectively. The composers’ markings have been retained throughout.
Arranged by Hugh Orr
The studies in this collection adopt a cycle of the 24 major and minor keys, a format often used by their composers. These studies were originally composed for the transverse flute with the exception of those by Kopprasch, Weissenborn and Ferling, for horn, bassoon and oboe, respectively. The composers’ markings have been retained throughout.
The studies in this collection adopt a cycle of the 24 major and minor keys, a format often used by their composers. These studies were originally composed for the transverse flute with the exception of those by Kopprasch, Weissenborn and Ferling, for horn, bassoon and oboe, respectively. The composers’ markings have been retained throughout.
$3.83
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-65%Twenty Four Studies for Alto Recorder—
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$3.83Description
Arranged by Hugh Orr
The studies in this collection adopt a cycle of the 24 major and minor keys, a format often used by their composers. These studies were originally composed for the transverse flute with the exception of those by Kopprasch, Weissenborn and Ferling, for horn, bassoon and oboe, respectively. The composers’ markings have been retained throughout.
The studies in this collection adopt a cycle of the 24 major and minor keys, a format often used by their composers. These studies were originally composed for the transverse flute with the exception of those by Kopprasch, Weissenborn and Ferling, for horn, bassoon and oboe, respectively. The composers’ markings have been retained throughout.
