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Rachmaninoff 24 Préludes

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Rachmaninoff 24 Préludes

Dominik Rahmer (Editor)

Marc-André Hamelin (Fingering)

Now available in an Urtext edition.

Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organized systematically according to keys. A final highlight of late Romantic piano music, which no pianist can ignore!

Dominik Rahmer (Editor)

Marc-André Hamelin (Fingering)

Now available in an Urtext edition.

Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organized systematically according to keys. A final highlight of late Romantic piano music, which no pianist can ignore!

$15.38

Original: $43.95

-65%
Rachmaninoff 24 Préludes

$43.95

$15.38

Description

Dominik Rahmer (Editor)

Marc-André Hamelin (Fingering)

Now available in an Urtext edition.

Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organized systematically according to keys. A final highlight of late Romantic piano music, which no pianist can ignore!